WELCOME
 
ART / SONG @ chashama times square
posted 2/23/10
 
      Ever wonder what a singer’s voice looks like?  How to make music visual?  Well, that’s just what I’m exploring with artist Lisa Ingram via art installations, live performances, and lots of
 
"A Party High" at Lincoln Center
posted 12/14/09
where:   Lincoln Center Bruno Walter Auditorium
when:    Sunday, December 13th, 2:30pm
 
    Jazz singer Gabrielle Stravelli and bassist Ritt Henn debuted my new holiday song “A Party High”
 
Song @ Lincoln Center Dec 13th
posted 11/7/09
where:   Lincoln Center Bruno Walter Auditorium
when:    Sunday, December 13th, 2:30pm
 
    Mark your calendars, please.  I was just asked to do a song at the Holiday Songbook at the Lincoln Center
 
SMOKIN’!  @  THE DUPLEX
Monday, October 5, 2009
 
They came, they sang, they boozed it up:   Mick Bleyer, Kevin Massey, Matt Lutz, Lisa Marinacci, and Sierra Rein and her puppet.
 
It was the simple story of girl meets boy—who met other boy—while
 
off to the old blog...
posted 9/1/09
For previous blogging about events, including Roboticus, the Zipper shows, The Sunlight Zone, and my Incredibly Deaf Musical, go to the old blog:
 
 
Aww blogger, I hardly
 
Welcome to the website of Jay Alan Zimmerman, the composer, author, and multimedia artist.  
 
Working with Broadway singers, artists, dancers, aerialists, videographers, and even musical robots, Jay creates heartfelt and whimsical works about the contradictions of life, the extraordinary hidden in the mundane, and the fascinating we all hope to discover.
 
His songs & shows have been performed by the leads of Wicked, Tarzan, Next To Normal, Phantom of the Opera, and many other hit shows by singers such as Lisa Brescia, Kevin Massey, Kara Lindsay, William Paul Michals, Angel Desai, Cheryl Alexander, Raissa Katona Bennett, and many many other wonderful vocalists.  For more info click on musicals and songs.
 
At the same time, his classical and experimental works for dance, aerial, film, plays, and art installations have been presented in prestigious museums and performance spaces throughout the Americas and Europe including the Pompidou Centre, Paris, and the Edinburgh Fringe Festival.  To find out more about these projects, click on visual music & movement and instrumental.
 
For more about Jay’s work — and unique (and frustrating, yet illuminating) story of becoming a “deaf composer” — read his bio and press articles.
 
Thanks for visiting.  
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